Airborne Jazz Interviews

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Smoothjazz.com  - Interview
 

How long has the band been playing together?

The band was formed in 1988. This year 2008 we will be celebrating our 20th anniversary. Wow! 20 years…my, my, my, when did those years go by? The band has even survived all the ups and downs of being musicians. I can honestly say
that the years have been very rewarding to us. To live a life of music is a wonderful experience and a precious gift.
To continue working with these amazing musicians is an honor.

Would you please share a few highlights from the years together?

We love the process of each new recording project and release. The intervention of ideas, the collaboration of
 musicians, creating the jazz sound that is Airborne today. Bringing life and love to each new composition.
Keeping faith and watching the growth in the band’s material and popularity.

Recording and producing for other artists in genres as Gospel, Jazz, and R&B.

To perform at jazz festivals, concerts, and clubs with different jazz artists and groups. To share words, thoughts,
stories, and just to listen to musicians from all over the world. Music is truly an international language.

Where is the band based and how does your location factor into your music?

We are from New Haven, CT, USA. Tri-State Area - Urban based. I guess you can call us city dwellers. There is a magic
 in the city that absorbs many musical art forms. The sounds of the city are cool but hot. Influences of Jazz, R&B, Latin
and Blues are all around you capturing your inner emotions.

We also have a passion for the music of the Caribbean. When someone asks what kind of music we do we tell them contemporary jazz with an island passion and urban emotion. Picture the band performing jazz on a street corner
shaded by a palm tree.

You refer to yourselves as a "multi-cultural" jazz band... how come?

Our hometown of New Haven is very rich in ethic and cultural diversity. Each member is unique and brings these
 diversities and backgrounds to create the jazz sound. Airborne has been praised as being a living spirit of musical brotherhood. The love of jazz is shared by many cultures.

Can you give us an idea of how deep the band's commitment is to the recording arts and education?

We do support the Arts. We are on the New England Foundation for the Arts and the CT Commission on the Arts
 performing arts touring rosters. We bring “A Century of Jazz” an Arts in Education program into the schools.
A demonstration of a variety of jazz forms and styles, supported by a historic narration, a musical insight, a question
and answer session, and an inspirational workshop.

This program instills a positive attitude and direction towards musical and social growth. The no limits approach
combined with a structured musical lesson plan illustrates the value of jazz education in our society.

Jazz Education is very vital for our newer generations. Teaching thoughts of imagination, personal expression, and
self discipline to help them achieve whatever goals they dream. Emotions soar high in young hearts and jazz music
 gently provides an enrichment and fulfillment to their wandering passion. Jazz is a true American art form.

Your latest CD is called TURBULENCE... What's the story there?

Our world is overwhelming… filled with physical, emotional, political, and economical distress, disaster, and confusion.
 That you can say is “turbulence.” We are not saying that music is a solution. The answers are found in our society.
 In that awareness and attitude are very important factors for everyone.

The message we want to convey is that we can all make a difference in this world of need. If we try to help, support,
 and mostly understand. Only then can we find and achieve peace and global unity. I guess the message is love.
 

Artist Interview by: Susan Frances – Jazz Review
 

Airborne --Authentically Multi-Cultured – Musical Peacemakers

The six-man and one-woman contemporary jazz/world music ensemble Airborne, who call the heart of New Haven, Connecticut their home, are setting course for a tour in support of their latest release Turbulence from Tilt Records.
 Formed in 1988, Airborne is comprised of seven musicians who respect each others individuality and musical
diversity which ranges from Latin, African, and Caribbean
influences to R&B, soul, Gospel, and smooth jazz palates.

Core members Thomas Borino on piano, Greg Borino on guitars, and Thomas Sansone on saxophone expanded
the trio into a sextet with the addition of bassist Steven Clarke, drummer Dean Kosh, and percussionist Asher Delerme
for the band’s debut album Take Off in 1990. The band proceeded as a 6-piece through their follow up albums
 which included Across The Sky in 1995 and Lifetones in 1999. The band added a new element into the mix in
2004 when singer/percussionist Lady Elizabeth Dellinger joined Airborne for the recordings of their fourth studio album Heavy Vibes and on their current release Turbulence.

The band is excited about coming into their 20th year together in 2008, still feeling good about their enterprising sound
and making a difference across the globe and in their own corner of the world. The band discusses their involvement in community arts programs as well as how their music has grown in the last twenty years. Airborne’s music is as
multi-cultured as ever with an authenticity that takes the listener to the place of its origins. Its members are as autonomous
as always with reverence for each others musical diversity as they bring it all together into a floral musical collage.

Jazzreview: What was the recording process like for Turbulence?

Airborne: The recording process usually starts with a composition and arrangement that is written by either
Thomas Borino, Thomas Sansone or Greg Borino. The other musicians then add their talent and musical thoughts
to the song. No one is ever told what to play. Each musicians input has created the jazz sound that is Airborne.

Jazzreview: How did the song “Drums Of Peace” from Turbulence come together?

Airborne: Thomas Sansone wrote and played that haunting melodic saxophone on this interesting music piece. The chants in ‘Drums Of Peace’ are actually from a few African dialects. The chants proclaim ‘Listen to the drums of peace,’ ‘Awake the peace,’ and ‘Peace of the World.’ Authentic African drums and rhythms beat to the cry of that continent.

Jazzreview: How was the arrangement for the track “Can’t Fight Love” decided?

Airborne: Thomas Borino wrote, arranged and sang on this funky duet with Elizabeth Dellinger. Our R&B roots from childhood come out in this tune. We grew up listening to soul and Motown as well as jazz. The band is blessed with vocal abilities both male and female. This crosses us over to non-jazz lovers, especially in a live venue where a classic R&B tune can put a place on fire.

Jazzreview: How did you meet Lady Elizabeth Dellinger and how did she become a member of Airborne?

Airborne: Elizabeth was a close friend of guitarist Greg Borino. They performed and co-wrote together in various situations for over 15 years. She became an official member during the recording of the Heavy Vibes CD in 2004. But she did
 perform with the band prior to that CD also. She has brought her wonderful voice and talent of vocal arrangements into
the mix of the group.

Jazzreview: Does the band use any music technology for the recordings?

Airborne: In the studio, we use Steinberg products. They are great programs and offer much to enhance the music. All the music on Turbulence is actually played.

Jazzreview: Why did Airborne decide to go with a big band sound for the song “Hillside Swing”?

Airborne: ‘Hillside Swing’ was a challenge and it took a lot of tracks, time and listening. But we are all very happy with the result.

Jazzreview: What are some of the themes of the songs on Turbulence?

Airborne: Our world is overwhelmingly filled with physical, emotional, political and economical distress, disaster, and confusion. That you can say is turbulence. We are not saying that music is a solution. The answers are found in our society,
in that awareness and attitudes (which) are very important factors for everyone. The message we want to convey is that we can all make a difference in this world of need. If we try to help, support, and mostly understand. Only then can we find and achieve peace and global unity. I guess the message is love.

Jazzreview: What was the impetus for making Turbulence?

Airborne: Turbulence is one of those projects where everything just lined up and worked. There was a special enthusiasm
in each musician. I guess you can say there was no Heavy Vibes in the recording, pun intended. That was our last CD. We recorded and produced this one. I think the compassion we have for this music is ever present in this recording.

Jazzreview: How is Turbulence different from Airborne‘s previous albums?

Airborne: Our first 3 CD’s were mostly instrumental. The Heavy Vibes and Turbulence added our percussionist and
vocalist (Elizabeth Dellinger). We do think Turbulence is our best yet. We are very happy with the compositions, arrangements and sound quality, and the message it represents.

Jazzreview: Why does the band gravitate to Island and Latin accents in your music?

Airborne: We are from New Haven, Connecticut, USA, Tri-State Area, urban based. I guess you can call us city dwellers. There is a magic in the city that absorbs many musical art forms. The sounds of the city are cool but hot. Influences of jazz, R&B, Latin, and blues are all around you, capturing your inner emotions. We also have a passion for the music of the Caribbean. When someone asks what kind of music we do, we tell them contemporary jazz with an island passion and
urban emotion. Picture the band performing jazz on a street corner shaded by a palm tree.

Jazzreview: When did the band members first come together?

Airborne: The band was formed in 1988. This year 2008, we will be celebrating our 20th Anniversary.  The band has survived all the ups and downs of being musicians. I can honestly say that the years have been very rewarding to us. To live
a life of music is a wonderful experience and a precious gift. To continue working with these amazing musicians is an honor.

Jazzreview: What was it like growing up in New Haven, Connecticut?

Airborne: Our hometown of New Haven is very rich in ethic and cultural diversity. Each member is unique and brings these diversities and backgrounds to create the jazz sound. Airborne has been praised as being a living spirit of musical brotherhood.

Jazzreview: What was Airborne’s first rehearsal like?

Airborne: Even in the early years of the band, there was a real commitment to create good jazz music. Many comments of the band were that no one ever stood in the background. Each musician contributed to the sound of the band. An Airborne performance always showcases the talents of all the musicians but still keeps the integrity of the composition. That was always present even in the early years.

Jazzreview: When was Airborne’s first show and what was it like?

Airborne: 1990, in our hometown of New Haven at the legendary Toads Place. We performed with Tower Of Power.
The place was jamming and such a funky good time. We were received with such respect and an overwhelming response, FOUR encores!!

Jazzreview: What was the band‘s musical direction in those early days?

Airborne: The jazz band started with both originals and classic R&B tunes. Even from the beginning, the band’s sound has been jazz with Latin and R&B flavor. I think the first tunes we recorded were ‘Rips Café’, ‘No Restrictions’, and ‘Passion’.

Jazzreview: Who came up with the name of the band and why did it fit?

Airborne: Greg Borino came up with the name. Airborne describes something in flight and constant movement.

Jazzreview: What keeps the members motivated to stay in the band?

Airborne: We love the process of each new recording project and release. The intervention of ideas, the collaborations of musicians creating the jazz sound that is Airborne today. Bringing life and love to each new composition. Keeping faith and watching the growth in the band’s material and popularity.

Jazzreview: How have the band members changed over the years?

Airborne: I think over the years, we have developed into better musicians and humanitarians.

Jazzreview: When did everyone in the band begin playing their instruments?

Airborne: Everyone started private lessons on our instruments from age 12 years old and up and all of us have studied music in college.

Jazzreview:  Who are some of the musicians or bands that you have made friends with or recorded tracks for?

Airborne: Laco Dezci, Earl Whitaker, Yvette Early, Thomas Mitchell, Chris Geith, Keith Outlaw, etc. We have recorded and produced for artists of many different genres - jazz, R&B, and Gospel.

Jazzreview: Why does the band stay with the indie record label Tilt?

Airborne: I guess the freedom of recording and producing our own CD’s. It is easier to create without restrictions. The
 music will then become the first priority. We input and decide the marketing ideas. So the right message and the music become one and easier to communicate. We have a vision on how our music is represented. We look for people of
humility to be on board to help our career and cause.

How did the band get involved in the Arts Education Program with the Connecticut Commission of the Arts?

Airborne: We support the Arts. We are on the New England Foundation for the Arts and the Connecticut Commission
on the Arts performing (on their) arts touring rosters. We bring ‘A Century of Jazz’ Arts in Education program into the schools. A demonstration of a variety of jazz forms and styles supported by a historical narration, a musical insight, a question and answer session, and an inspirations workshop. This program instills a positive attitude and direction towards musical and social growth. The no limits approach combined with a structural musical less plan illustrates the value of jazz education
in our society.

Jazzreview: What are your thoughts about these music education programs?

Airborne: Jazz education is very vital for our newer generations. Teaching thoughts of imagination, personal expression and self-discipline to help them achieve whatever goals they dream. Emotions soar high in young hearts and jazz music gently provides an enrichment and fulfillment to their wandering passion. Jazz is a true American art form.

Jazzreview: On the band’s myspace site, you posted an email from a fan named Corey Woodard who wrote that he is stationed in Afghanistan and really enjoys jazz music. How did the note make the band feel and is Airborne scheduled to do a USO Tour?

Airborne: That email was an emotional cry for a touch of home by a US service man who loved our music serving in the ‘Forgotten War’ Afghanistan. We shipped a few copies of all our CD’s to the troops. The Turbulence CD has just been released and airplay is just beginning. Our next step is to set up a tour promoting the CD. No USO Tours are planned, but who knows. Our hearts go out to all these men and women in harms way.

Jazzreview: What is your impression of the Internet?

Airborne: We are true internet believers. It makes the world a smaller place. It has helped us promote our music all over
the world. The music of Airborne reaches out to everyone in our crazy world. Airborne is multi-cultural and international.

 

Interview by Joe Montague for Riveting Riffs 

Music for Turbulent Times 

Turbulence is a word one normally associates with a rough airplane ride or you hear on a weather report, but it is
also the name of the outstanding CD released in August of this year by the
New England based jazz group
Airborne. In September 2007, I had the opportunity to speak with Thomas and Gregory Borino, the two brothers,
 who along with lifelong friend Thomas Sansone founded the group twenty years ago. Each one of the three,
play several instruments on the album. In addition, they produced, engineered and mixed the project themselves.

 In describing what the listener will hear when they don their headphones, earbuds or pump up the volume on
their speakers, Gregory Borino says, “They are going to get hit with a lot. There will be some light, smooth mellow stuff,
but on some of the endings (to the songs), we are really rocking it out quite a bit. The listener will also hear a big band
 piece, solos and improv, because improvisation is still an important part of what we do. They will hear a CD that has
 an edge to it.” 

 Thomas Borino adds, “You can still tell it is us, even though there are a lot of different kinds of music. We definitely
captured an Airborne Sound on this CD.” 

“While the songs are different, they are not all over the place. There is a consistency. If you listen to the CD from
 track one to track nine, it is not like you are thinking, ‘Where did this come from?’ The CD does flow from song to
song,” says Gregory.
 

 Gregory who engineered and mixed the CD jokes that it aged him by ten years. “There are a lot of tracks, and
we had to make them fit into two little speakers, that took some time. The arrangements are well thought out.
We didn’t just bang something out. Everything was listened to, listened to again, and again and again,” he says.
 

 “Festival At Sunset,” is the opening track for Turbulence, and immediately Thomas Borino’s strong keyboarding,
 Ahser Delerme’s Latin percussion and Laco Deczi’s trumpet transport you to a tropical setting. The song’s upbeat
tempo is appealing and each chord bears a smile. The guitars (Gregory Borino) start with mellower riffs, but as
the song builds to a crescendo, the fretwork becomes a little edgier. Thomas Sansone, Donte Hall and
Elizabeth Dellinger deliver smooth background vocalese.
 

 Commenting on Airborne’s ability to combine the smoother elements of jazz and Latin vibes, without the later
dominating the melody and groove, Gregory says, “We also need to give credit to our percussionist Asher Delerme.
He is a very smart player. He doesn’t just play a part, he is very intense. When he has a part in the recording process,
 it is there for a reason. That’s why it is not overbearing.”
 

Thomas makes the point that although they have lived their lives in the city, that he and Gregory have a heart for the
 Latin countries, their people and cultures. He believes that strong connection genuinely infuses the Latin vibes
heard in Airborne’s music.
 

While admitting to several other influences in their music, Gregory echoes his brother’s sentiments as it relates to the
Latin grooves in Airborne’s music. While attending Boston’s Berklee College of Music, Gregory was in a Latin jazz band,
and one might say it was love at first listen, as he was enthralled with the emphasis on percussion instruments. Describing
the music as positive, passionate and alive, he feels that Airborne’s interpretation of Latin rhythms creates an upbeat environment in which people can leave the stresses of their day behind. Certainly, the band’s use of Afro Cuban and
Brazilian rhythms keeps listeners’ feet moving and their bodies swaying.
 

 It’s “Smooth Sailing” for Airborne
 

As strong as the Latin rhythms are in Airborne’s music, Gregory says that R&B also has a prominent place. Thomas agrees, “Like Gregory said, we always have been fans of R&B, going back to Motown. That allowed us to cross over to non-jazz lovers.
 

Turbulence had been out barely a month, at the time of my conversation with the Borino brothers, but they were
already receiving positive reviews and heavy demand for their music, from places as far flung as the United Kingdom
and Australia. On the home front, college radio stations have been burning up the airwaves with cuts from Turbulence,
and in particular the first single to be released, “Smooth Sailing.” In part, they attribute the positive response to
Airborne’s ability to be genre busters.

 

“We cross over a lot of different formats, and like Gregory was saying, we have an edge. We don’t play it safe. A lot of
artists try to work with a mellow formula that (fits a) smooth jazz format (noting that he is not dissing smooth jazz artists).
On our CD, we do a lot of variations. We play a big band swing tune, a contemporary piece that is a tribute to the
American Indians and an African piece,” says Thomas. You can say we are a jazz, contemporary jazz and
a smooth jazz group. We are musicians.


Thomas says, “We named it (the CD) Turbulence, because there is a lot of confusion in the world, and because it is
wartime. Our music is not going to be a solution, but maybe it can be a wakeup call for peace. We have tried to convey
that through our music. It is not an answer, but we hope it is something that wakes people up. The world needs a little
bit of global unity. We tried to give our music a soothing feel.”
 

At the same time, Gregory wants to make sure that the listening public clearly understands how Airborne perceives their
 role, and what their music is trying to accomplish. “We are first and foremost musicians, not politicians, but we are
also smart, educated and humanitarian people. If in some way, we can bring a little change that is fine. We are not
hard, revolutionary type of musicians. We are not the Bob Dylans or Joan Baezs of the sixties.  

Thomas adds, “We try to keep the politics out of the music and make it a message of love.” 

Today, Thomas and Gregory Borino still enjoy listening to the music of musicians who originally inspired them. For
Gregory, who plays both electric and acoustic guitars he was first attracted to the music of guitarists who are now
considered to be icons, people like Carlos Santana, Pat Metheny, Larry Carlton and Lee Ritenour. Thomas lists
pianist / composer Chick Corea as a major influence, referring to his compositions as “amazing,” and to Corea as
 “a legend.” He has also been inspired by the music of Herbie Hancock and George Duke.

 

Jazz Network USA  -  Interview
 

Why do you call your sound High Energy Contemporary Jazz

           The music is intricate and exciting. The musicians are masterful and precise.  The female and male vocal abilities are outstanding. Mix in today's modern world emotions and technology and you get skilled professionals letting it loose and creating their own unique and trademark jazz sound.

How do you classify your jazz sound

           The music is warm-toned yet very powerful inserting us into both today's commercial Smooth Jazz & Vocals and the more Contemporary Jazz, College and Public Radio formats.

Does the jazz group have vocal ability

            Yes. we are blessed with great male and female vocal ability. Almost everyone sings in the band. It helps us crossover and communicate to non jazz lovers.

How long has the group been together and where is the band from

              The band was formed in the late 1980's. Dean Kosh, drums joined in 1995. The only personal change since the band was created in our hometown of New Haven CT. With the exception of our very talented female singer and percussionist.

Who are your influences

            The great pioneer artists of modal, funk, fusion, and Latin jazz. Artists such as Chick Corea, Herbie Hancock, Miles Davis, Pat Methany, Spyro Grya, Weather Report,. Rippingtons, Yellow Jackets, .etc. But of course your straight ahead and be-bop artists as Monk, Charlie Parker, Bill Evans, John Coltrane, etc... will always have our interest and respect.  Vocalists such as Peabo Bryson, Luther Vandross, Aretha Franklin, Patti LaBelle, Manhattan Transfer, Stevie Wonder, Motown and Old School Soul Artists keep us in the groove.

How many CDs do you have and how did your last CD " Heavy Vibes " do

                We have 5 CD's out, plus member solo projects. " Heavy Vibes"  was our best selling CD, it sold all over the world and had the most radio play. We tracked over 250 stations with heavy rotation. A successful mark on trade Jazz Charts. Great trade reviews and press releases in the USA, Japan, and Europe.  The addition of our female singer and percussionist to the jazz band has crossed us over to a newer market. Jazz and non jazz lovers love the band. Our music really hits the hearts of many. We are very grateful for this blessing.

What is the name of your new CD and what's it like

It's called " Turbulence ". We kept the same feeling we had in the last CD " Heavy Vibes".  Modal and urban with Caribbean rhythm influences,  but with some vocal tunes to smooth it out. We are very excited about it and the response to the tunes on it in our live show are very impressive. Radio Programmers and DJs should find it very pleasing. But still it will be High Energy Contemporary Jazz, but this time with a Smooth Jazz and Vocals format.

A word of note on the Airborne CD " Turbulence Our world is overwhelming filled with physical, emotional, political, and  economical distress, disaster, and confusion. We hope the music of Airborne helps to open hearts, minds and souls to
all the beauty that life has to offer. We can all make a difference in this world of need. If we try to help, support, and mostly understand. Only then can we find and achieve peace and global unity.